The sun rises without your blessing. But you can’t face the day until you wake. Sleeping through the light doesn’t mean the day didn’t happen.

Zachary Steele The Weight of Ashes

The Weight of Ashes, set in Hogan, Georgia during the 1980s, is a literary fiction novel that would appeal to both a young adult and adult audience. Protagonist, thirteen-year-old, Mark Murphy, is on the cusp of life when he’s hit with the tragic death of his big brother, Mitch Murphy. Mark loses more than a sibling with Mitch’s death. Their father left the family at a young age and Mitch stepped in as Mark’s father figure, protector, and mentor. His mother, reeling from the loss of her son, starts to drink heavily. To make matters worse, Mark’s cousin, Gordon, the villain of the story, caused the car accident in which Mitch was killed. Mark not only wants his brother back; he also wants revenge. And he believes the answer to both of his desires may be found with the witch who lives on Spook Hill. There’s a cost to bringing Mitch back, though. And there’s no way he can make it past his mother and her boyfriend, Officer John, and his police force, or bully/psychopath, Gordon, or the perilous wilderness to get to Spook Hill, without the help of his friends, Mo, Reggie, and Dunk.

Though The Weight of Ashes tackles death, loss, and grief, Steele created a plot that feels more like an adventure story focusing on the power of friendship. Because of the tight friendships between these characters, the novel reminded me somewhat of the 1985 blockbuster movie, The Goonies, or for a more modern reference, the hit show, Stanger Things. The language, tone, and plot suggest an element of speculative fiction. It hovers on the border making the reader wonder if there’s something supernatural at hand.

The story is told in first person point-of-view from the perspective of Mark, but the other characters are well-rounded and have personalities that complement each other and the plot. The chapters are short and tend to end with cliffhangers (though not in an ostentatious way), which is probably why it reminded me of the movie and TV show I mentioned. Steele’s style is episodic; he builds one wonderful scene upon another. Yet, the story isn’t completely linear. The reader isn’t simply led down a straight path wrought with conflict. Steele’s pacing is excellent. He does a nice balancing act with flashbacks, featuring Mark’s memories of his deceased brother and their mutual love for baseball and the Atlanta Braves, which enriches Mark and Mitch’s relationship for the reader and develops very relatable and sympathetic characters.

The Weight of Ashes is a Bildungsroman, or coming of age, novel with fairytale elements where the protagonist Mark enters the woods and comes out wiser, perhaps not quite a man but with a self-awareness he didn’t have before entering the woods. Mark must confront actual obstacles—avoiding the police, Gordon, flooded creeks, dangerous animals—to accept his brother’s death. As I mentioned, he cannot do it alone, which is one of the main issues Mark comes to understand. Here’s a moment where Steele alludes to the classic novel, The Wizard of Oz: “We moved along the drive like Dorothy, the Tin Man, and the Scarecrow walking through the forest. About halfway, between a trio of dangling vultures, I came to a stop.” This is the scene where the teens have finally made it through the obstacles presented by the forest and arrive at the witch’s house. It echoes the journey Dorothy and friends made down the yellow brick road to meet the wizard complete with flying monkeys or in Steele’s novel, “dangling vultures.” Steele also references The Hobbit, which was huge (still is) back in the 1980s for this age group. Authors don’t randomly do shout-outs. Bilbo was an adult when he goes on his adventure, but it’s still a classic Bildungsroman novel and a fairytale as well–like The Wizard of Oz, like Steele’s, The Weight of Ashes. The fairytale structure is a classic way of telling a story; I think it works well for any age group but is particularly effective for this story and for YA readers who may be more comfortable and open to reading a tough topic in a structure they’re accustomed to reading.

Even with an adventurous plot and characters geared for a younger audience, the subject matter—grief—is quite serious and transcends all ages. Mark goes through all the stages: denial, anger, bargaining, depression, and acceptance. The message is the same whatever the age of the reader. You should lean on your friends and your family to help you get through the tough times, and I commend Steele for borrowing from his own experiences to help teens, young adults, and adults realize they’re not alone.

There’s a real sense of nostalgia winding throughout the novel. Remember when you were thirteen? Remember how important your crew was? Well, that’s the peer group Steele created here. If you’re an adult reader, it’ll take you back to that magical age when everything seemed like it was all about to happen. Steele simultaneously captures the character’s childishness and insecurities around entering adulthood, mentally and physically. I think the character Dunk says it best here: “We aren’t kids anymore. We’re hormonal superheroes, fighting the villainy of a sex-crazed world.” These characters are at that age where anything seems possible, and their excitability comes out in a humorous and highly entertaining way.

Readers may become wistful remembering their teenaged years reading this book; The Weight of Ashes is full of pop cultural references from the 1980s that sets the tone. Forty and fifty-something-year-old readers will recognize shows like Family Ties and Star Trek’s: The Next Generation, or Jason Vorhees from the movie Friday the 13th. You can practically hear a soundtrack playing while reading this story with all the musical references to Madonna, The Bangles, Ozzy Osbourne, and Whitesnake, just to mention a few. Music was everything in the 1980s. What you listened to dictated what group you hung out with—the jocks, the skaters, the punks, the metalheads—and this book was reminiscent of my childhood. If you genuinely want to go down memory lane, Steele created a playlist on Spotify that accompanies The Weight of Ashes. Get a copy and tune in here to listen: The Weight of Ashes Soundtrack.

Steele’s, The Weight of Ashes, comes out with a bang, more fireworks, then more fireworks, and ends with another bang. The first chapter took my breath away. And I don’t think I’ve read a more perfect ending to a novel in years. When the beginning of a book doesn’t grab you, you put it down, you never read it. You may say something like, “I just couldn’t get into it.” If the ending sucks, you never forgive the writer, and you may not ever read that author again. I won’t go down the road of Game of Thrones. Just saying…I guarantee you have the best of both worlds with The Weight of Ashes, including a middle full of surprises—tragic, scary, fun, lighthearted—that make you appreciate your friendships and even feel compassion for the bad guy at the end. Steele took a challenging topic and made it accessible for every age. Applaud, applaud.

TO PREORDER: The Weight of Ashes by Zachary Steele is available from the following Atlanta-based bookstores: A Cappella Books, Eagle Eye Book Shop, FoxTale Book Shoppe, Little Shop of Stories, Tall Tales, Story on the Square. Support your local bookstore!

To listen to Steele’s Spotify Playlist: The Weight of Ashes Soundtrack.